Technical investigation of Rembrandt’s paintings in the possession of the Gemäldegalerie Alte Meister and in the Gemäldegalerie Alte Meister (Kassel) has been conducted by Hermann Kühn in 1977. The pigment analyses of some thirty paintings have shown that Rembrandt’s palette consisted of the following pigments: lead white, various ochres, Vandyke brown, bone black, charcoal black, lamp black, […]
